1209 безплатни аудиофайлове за "Convolution Reverb"

Typical cmaj - fmaj - gmaj - cmaj chord progression played with the "space rez" patch i self-programmed in ichiro toda's synth1, with some heavy tal-reverb 4 applied over it.

Frozen reverb without a certain ear-piercing whine.

I made the score in maestro. Sfx conversion edited: adobe + fxs + mastered.

Loop thingy majigy. . . . . . . . . Yep, that's the description.

Strumming mandoline on headplate. Fx chain with very wet reverb effects and pitch.

Recorded as part of an assignment for melbourne polytechnic sound production ad dip.

Sophie merrit's recording in a suppermarket for the yarmonics sound library. Supermarket in great yarmouth recording put through a dub delay. Part of the yarmonics sound library. Sounds of great yarmouth recorded as part of the yarmonics sonic arts festival sept 2018 by various contributors. Festival organised by the norfolk and norwich sonic arts collective and originalprojects. Www. Yarmonics. Com.

Advanced analog hardware snippet. Recorded feedback of a reverb tail.

Sound of the sonic boom explosion caused by the russian meteorite over chelyabinsk, russia on february 15th, 2013. Taken from various youtube videos of the event, mixed, and sweetened with a bit of reverb.

A sound for when there is no sound, just air flowing. Made with large interiors in mind. Recorded an empty room, then stretched the audio, added reverb, and increased bass.

This is me, doing some pseudo latin voice over work for an audio play i'm working on. Basically this consists of 2 vo layers. One normally spoken, but pitched, the other one just whispering the same text in synch with the first layer. Add some fancy reverb and there you have your evil demon chant.

Mellow chill song short 23. Wrote/recorded a mellow chill song using ableton live 9. Piano using ableton's stock grand piano 9 plugin. Ableton's stock space arp plugin. Pizzicato and staccato strings done with native instrument's kontact5 player. Chords: f d#. Additional notes:-13. 4 lufs integrated. -1. 0 db true peak max.

A sequence in a minor. Spring reverb feedback. Filter sweeps controlled by nlc sloth. I'm not using a sequencer. There are other was to obtain a sequence on a modular synth.

A piano chord on my keyboard.

Laugh i made when recording something and i thought it sounded cool.

This sound came from a sample pack called "pianoroom vol. 1". It's contain a hundred samples from a record session i did of my piano.

Decided to record me fucking about with pedals and getting silly with the afterneath by earthquaker devices, might be a sour note here or there but it was more just me having fun with my pedals, if you use it as always let me see what you used it for!.

Made with image-line sakura.

Walking towards and away from recording device in an empty, abandoned theatre. Also includes some jumps / stomps.

Sad.

Spanish female voice recorded with a stereo microphone. First i reduced the noise, then i add some echo and adjust the pitch.

The end of a lead synth i made in ableton as part of my track "venture". The rise in pitch at the end is quite nice, i think. Hear it in the track here:http://youtu. Be/cncgyp7ta0y?t=1m43s.

I tried to replicate some kind of alarm. You could also use it as a very annoying alarm clock. Also available with more reverb.

Modular patch ending up in the zoom ms-70cdr multi effect. 2 voices, noise and very much reverb :-). Shoutout to cabled_messhttps://www. Freesound. Org/people/cabled_mess/.

Standing in a pedestrian underpass. People rushing by. Binaural recording with soundman okm`s and a h4n. If you want to support my work, please visit:jardinsonore(. )bandcamp(. )comthere you find a lot more.

I recorded a bunch of guitar noodling to a fostex x-26 four-track recorder, then recorded the tape to my computer with goldwave wherein i cut out a segment which was looped and then processed with reverb effects and other vsts in fl studio.

A lot of texture! yeah! even analog modular synths can create texture. . . Well not much of a surprise but i'm getting somewhere. . . !. Have to note what i have done. 1. Modulating a full wave rectifier at audio rate. Fixed modulating frequency. 2. I mix my the output of my two osc and clockmy clock divider with that and take /2 to mixer. Reverb is space hole on my zoom ms-70cdr.

A synthesized distant gunshot with reverb. Built with audacity 2. 05.

This is a recording of the underground parking garage at our local grocery store in north hollywood, california. You can hear conversations, cars, and shopping carts rattling to cars. Recorded with: matched beyer mc930, sound devices 702t.

Sound of an unknown monstrous creature lurking in the shadows of a cave.

I took a loon call and distorted it as well as added reverb to use for a giant monster bird that we had in our podcast. Hope you all enjoy!.

Tube spring reverb unit compressed on the tape.

Pulse responses from great british spring reverb processed with equalizers, tube preamps and compressed with analog tape.

An ambient lofi song. Feel free to remix it. You can make a loop out of this if you cut a section out of it. Feel free to visit my yt channel where i post music and more: https://www. Youtube. Com/channel/ucw2gb1h1xejderyn0xaumgw/.

Frozen reverb stab from sax-like kazoo.

Frozen reverb from saw with phasers.

It's fun to patch up a kind of analog shift register (3 stages). Doepfer a-160 controls the stages. On a-160 i use /2, /4 and /8. I sample slewed noise. No quantizer.

Algorithmic modular music program ver. 2 (man2v2_2019). The computer is my analog modular synth. 01 to 08 are clock sequencer steps. Admit, the spring reverb makes a nice job!. 00 rem -------------- man2_2019 --------------00 rem ------------------ v2 -----------------00 rem vco_1 sin through wave folder00 rem vco_2 tri00 rem vco_3 sqr through vcf00 rem (vco_1, vco_2, vco_3) tuned to 130 hz00 rem rnd pitch cv from attenuated tri lfo00 rem rnd cv from tri lfo00 rem main clock (lfo_1) start frq 10 hz00 rem reset is tricky, trg -> short env -> reset00 rem (noise) is noise through a lfo sweeped vcf00 rem ---------------------------------------01 rnd -> vca cv in (vco_1)02 rnd -> wave folder (vco_1): rnd -> vcf (vco_3)00 rem line 08 in ver. 103 rnd frq lfo_1 (run speed)00 rem [less secitive for cv change]04 rnd fm mod (vco_1) with audio from (vco_2)05 rnd -> vca cv in (vco_1, vco_2, vco_3): invert cv -> vca cv in (noise)00 rem [added some offset with attenuverter]06 trg short env (vco_2): rnd pitch @ eoc (vco_2)00 rem [long env in ver. 1 - with long env i seldom reach eoc]07 if (lfo_2 = high) then goto 01 [= reset]00 rem line 02 in ver. 108 [07] trg short env (vco_3): rnd pitch @ eoc (vco_3)00 rem line 07 in ver. 100 rem [long env in ver. 1 - with long env i seldom reach eoc]10 goto 01.

Sounds nice to me. Variable tempo. Made with analog modular synth.

A krell.

A click my headphones made when the wire hits my table. Recorded, reverbed, processed in audacity.

Atonal modular synth melody.

A simple gunshot created with audacity and with added reverb effects (small room).

A simple gunshot created with audacity and with added reverb effects (forest).

A simple gunshot created with audacity and with added reverb effects (plains).

A simple gunshot created with audacity and with added reverb effects (foam room).

A dirty chord. Probably good for granular synthesis.

A classic dance-type noise clap. For the sake of an inside joke, i was going to put a lengthy description here, drenched in sarcasm, implying that this was stolen, but that's probably not a smart thing to do.

No need to credit me, dawg. But send me a pm of what you do with it if you have the time. I'm interested.